展览

EXHIBITION

白川个展——

虎的迷路

策展东说念主：李子健

艺术总监：滕青云

主理：三影堂厦门照相艺术中心

缓期：2023.09.23 - 10.29（周一闭馆）

7月26日，国债期货收盘全线上涨，30年期主力合约涨0.44%，10年期主力合约涨0.20%，5年期主力合约涨0.13%，2年期主力合约涨0.03%。央行昨日进行1040亿元7天期逆回购操作，中标利率为1.90%，与此前持平。因有250亿元7天期逆回购到期，净投放790亿元。DR001报1.4547%，跌5.89个基点；DR007报1.8435%，跌1.36个基点。周一发布的重要会议表示要继续实施积极的财政政策和稳健的货币政策，延续、优化、完善并落实好减税降费政策，发挥总量和结构性货币政策工具作用。适应我国房地产市场供求关系发生重大变化的新形势，适时调整优化房地产政策。叠加6月份以来稳增长政策出台较为克制，市场对于稳增长政策力度的预期逐渐弱化，此次会议对于稳增长表述较为积极，国债收益率快速反弹，预计短期内债市承压运行，国债期货偏空思路对待。美联储7议息会议将联邦基金利率的目标区间上调至5.25%到5.5%，加息幅度25个基点，符合市场预期。结合鲍威尔发言，本次加息大概率会是本轮加息周期的最后一次，美债收益率缺乏大幅反弹动力。

地址：厦门市场好意思区杏林湾营运中心2号楼裙楼三层

● Please scroll down for English

咱们可能若干齐有过一样的履历，在某一个一刹忽然感受到老到的事物变得无比生分：约聚上的欢声笑语酿成了无真谛的杂音，老到的亲一又仿佛成为外东说念主；在相册中看到预感之外的合影，仿佛我方的追念是一场骗局; 或者在梦里，瓦解到我方安然于我方的虚幻。这些“局外东说念主”的时候，大概在教唆着咱们，由咱们老到的规章和感性所组成宇宙仿佛被咱们自己所远离。

选自《始于爱情，终于疫情》系列

This Animal Year Series

白川的这一系列作品《始于爱情，终于疫情》拍摄了12年，领先摄取虎头面具的原因也很浅近，虎便是他的属相。这个凶煞的老虎面具伴随着他履历家庭变故，见证家乡的变化和处事的发展，以及目击无数琐碎的闲居片断。展览的主体即是由这一系列像片组成的追念长廊，莫得具体的时分和东说念主物陈迹，就像咱们遽然堕入回忆时那般，过往的时候立时地夸耀。

选自《始于爱情，终于疫情》系列

This Animal Year Series

选自《始于爱情，终于疫情》系列

This Animal Year Series

在这些像片里，虎头多数由他佩带，未必也会是拍摄现场中的别东说念主，虎头面具掩藏了一切神采，非论是在何种情境，桀黠的虎头东说念主老是无言地盯着镜头，时而举起手枪对向我方。这无疑成为了这一系列像片中抓续的刺点，将那些仅属于私东说念主的时候，千里闷的社会庆典和缅怀的厚谊完全辩说。

咱们在像片中看到的，是一种令东说念主叹息的老到的生分感。家庭合影，约聚像片，旅行贪恋，这些在这个时间的咱们齐大批领有的像片，在白川的演绎下变得生分。像片中的带着虎头的东说念主似乎安然于像片的时空之外，仿佛一个闯入的外东说念主，拒斥着规章和惯习，或是掩饰着被摄者的厚谊。从这个角度而言，我在白川作品里看到的，是他对那些在他性掷中不可捉摸的客体或遇到的千里醉，并以照相的神色，去唤起他们的积极回话。

选自《始于爱情，终于疫情》系列

This Animal Year Series

选自《始于爱情，终于疫情》系列

This Animal Year Series

“咱们仍是中分鼎峙，因而不可条目外东说念主交融于此，更不可追缠他们，而是将他们迎入怪怖之中，因为这种怪怖既属于他们又属于咱们。”克里斯蒂娃在《咱们自己的外东说念主》中征引弗洛伊德的禀报去描绘主体与外东说念主遇到时的异样感受，这种生分的感受并非是因遇到外东说念主，而是从根蒂上，来自于咱们自己里面，那些粉饰的，咱们关于自己的生分。在白川逾越一旬的照相迷路中，他呈现即是如斯的遇到，那些在生分和稔熟之间，迷东说念主的刺点。

● 文/李子健

艺术家

白 川

白川，照相师。

展览：5PRCITY, United Nude Miami,迈阿密，好意思国（2010）；The Sixth International Month of Photography in Moscow: Photobiennale 2006，莫斯科，俄罗斯（2006）；个东说念主展览《爱你比海深》，第二届连州外洋照相年展，连州（2006）；个东说念主展览《许竹》、《通说念》，第一届连州外洋照相年展，连州（2005）。

Bai Chuan's Solo Exhibition -

Tiger, the Uncanny

Curator:Li Zijian

Art Director:Teng Qingyun

Organiser:Three Shadows Xiamen Photography Art Centre

Duration:Sep 23, 2023 - Oct 29, 2023

Venue:3rd Floor of Building 2, Xinglinwan Business Centre, Jimei District, Xiamen

We have all experienced moments where the familiar suddenly transforms into an overwhelming sense of uncanny strangeness. Laughter and merriment at parties can become meaningless noise, close friends and loved ones appear as strangers, and unexpected group photos in an album make one question the authenticity of his or her memories. These moments of feeling like an outsider are reminders that the world, constructed by the rules and rationale we are accustomed to, is somehow rejecting us.

选自《始于爱情，终于疫情》系列

This Animal Year Series

Over the course of 12 years, Bai Chuan created his series \"This Animal Year\". His initial choice of the tiger mask was quite simple – the tiger is his Chinese zodiac sign. This foreboding tiger mask accompanied him through the ups and downs of life, witnessing family upheavals, changes in his hometown, career developments, and countless mundane moments in daily life. The core of this exhibition is a memory corridor comprised of this series of photographs, devoid of specific timestamps or character clues. It's akin to suddenly getting lost in memories, with moments from the past randomly flooding in.

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选自《始于爱情，终于疫情》系列

This Animal Year Series

选自《始于爱情，终于疫情》系列

This Animal Year Series

In these photos, most often, it's Bai Chuan himself donning the tiger mask, while at times, others are in the midst of a photo shoot. The tiger mask obscures all facial expressions, and no matter the context, the fierce tiger-headed figure always gazes numbly into the camera, sometimes even pointing a gun towards herself or himself. Undoubtedly, this constant element has become a punctum throughout the series, negating the private moments, somber social rituals, and poignant emotions. What we see in these photos is a strangely familiar yet surprising sense of uncanny strangeness. Family portraits, party snapshots, travel souvenirs – the photos that many of us possess abundantly in this era all become unfamiliar under Bai Chuan's interpretation. The tiger-headed individuals in the photos seem detached from the time and space within the images, almost like intruders rejecting norms and customs, or concealing the emotions of those being photographed. From this perspective, what I discern in Bai Chuan's work is his fascination with objects or encounters that elude his grasp in life, and his endeavor to evoke their positive responses through photography.

选自《始于爱情，终于疫情》系列

This Animal Year Series

\"Freud brings us the courage to call ourselves disintegrated in order not to integrate foreigners and even less so to hunt them down, but rather to welcome them to that uncanny strangeness, which is as much theirs as it is ours.\" As Julia Kristeva quote Freud in \"Strangers to Ourselves\" when the subject encounters strangers, the feeling of strangeness doesn't stem from the encounter with others but fundamentally arises from within ourselves, from those concealed aspects of ourselves that remain unfamiliar. Throughout Bai Chuan's decade-long photographic journey, he indeed presents the encounters of this nature - those punctum between the unfamiliar and the familiar.

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艺术维C，一家融自媒体、艺术策展、艺术储藏的新式艺术平台。专注搭建艺术家与大众之间的桥梁，挖掘孵化具有翻新精神的艺术家，培养新时间藏家，当今已领有全网百万精确高质地用户，旗下艺术品均来自国内一线好意思院人人巨擘认证。

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